What unites Belenok's “panic realism” and Gintovt's “pre-dawn”? Of course, that very heavy oppressive atmosphere, the nature of which was scary to formulate. A premonition of a universal catastrophe. And a very valuable accurate hit in its own time. And it is no coincidence that this premonition of the apocalypse, the atmosphere of an impending catastrophe, is becoming one of the core themes in art these days.