The porcelain black sculptures and their white counterparts are Oleg Tselkov's first and only experience of transferring his characters into small sculptural plastic. In other words: he had plates, vase, dishes and even a porcelain egg, but there the technique of transferring flat images was used. Tselkov had volumetric plasticity only in porcelain and bronze.

The exemplary Steinberg of the late 1970s. Even before France, before emigration, before the Claude Bernard Gallery. This is the Moscow-Tarusian Steinberg. And this is the high point of his explorations into the depths of suprematist abstraction.

The sculpture “Don Quixote” is a programmatic work in the works of Nikolai Silis — the artist of the innovative group of sculptors of the sixties “LeSS” (Lemport-Silis-Sidur). Usually Don Quixote is portrayed as a grotesque character — ridiculous, with a weirdo lost in time. And here is a completely different Don Quixote. Don Quixote is happy. Peaceful, sitting in lotus position and admiring a wildflower. A sort of Zen Quixote. Comprehending the meanings. And the mills? What are mills? Perhaps only part of the game, the role and social camouflage.