1971 — Steinberg's Moscow-Tarusian period. A light, airy, luminous piece. Figurative basis dominates in this work. Although if you look closely, the background on which the bird flies is dissected by a geometric element, typical of the artist's Suprematist line.
The exemplary Steinberg of the late 1970s. Even before France, before emigration, before the Claude Bernard Gallery. This is the Moscow-Tarusian Steinberg. And this is the high point of his explorations into the depths of suprematist abstraction.
This painting of rare beauty comes from the collection of Piero Savoretti, an Italian entrepreneur and collector. The painting belongs to a particularly valuable inspired period. At the end of the 1970s Sveshnikov's palette becomes more dense and saturated. Connoisseurs note that in some works fantastic phosphorescent effect begins to appear, which will later disappear from his painting.
Natalia Nesterova created her very recognizable, distinctive contemplative neo-primitivism almost 50 years ago. And her language remains contemporary even today. Her paintings are a conversation about life here and now. She tries more often to remind of modest pleasures and moments of happiness. Nesterova does not reproach or educate. Her paintings are about rejoicing in good weather, pleasant company, delicious food and the opportunity to travel to interesting places.
A new way of filling in the backgrounds and techniques for the embedding of objects in assemblages and abstractions was shown to his friend from Leningrad, Yevgeny Rukhin, by Vladimir Nemukhin in the 1960s. A geologist by training, Rukhin became one of the most brilliant artists of unofficial art. And one of the most daring. Rukhin's intransigence and courage, his open confrontation with the authorities gave rise to the version of his murder for political reasons.
Former official sculptor Petr Belenok exchanged a well-fed life in Ukraine for the thorny path of an underground artist in Moscow. He lived in poverty. And today he is one of the most sought-after artists of the post-war unofficial art. Prices for the best paintings have doubled over the past year and are regularly storming the million-ruble mark.
Vasily Shulzhenko. A terrible picture. A mixture of itinerant movement with undiluted existential horror of the level of Edvard Munch and Alfred Kubin. There will certainly be something to think about and something to talk about. The picture is not only with a powerful subtext, but also a virtuoso technical performance. A real old school. Few artists paint like that today.