Andrey Grositsky was an artist in the orbit of unofficial art. He was called the “poet of things”. For Grositsky, not only aesthetics was important, but also the spirit of the object. The metaphysics of the object world remained his field of research throughout his life. He transformed shovels, meat grinders, rusty latches into semi-abstract portraits of things of stunning beauty and depth. Grositsky was lucky to live to be recognized. Nowadays, he can certainly be called a favorite of collectors.

“I don’t want to scold — I’m just sorry for this person. He is just pathetic, unhappy pathetic. He got into a very unattractive story, and only because he turned out to be too grateful material for speculators visiting from abroad on the part of human souls... A vague, frightened, neurasthenic world appears in the artist's canvases. Sloping houses, crooked windows, herring heads, scrubbed walls of barracks — all this would look like an ordinary bias of the layman, if it were not mixed with pseudo-significant symbolism of nonsense”... And further in the same spirit. So the newspaper “Soviet Culture” wrote. Article “Expensive price of lentil soup”. June 14, 1966.