Announcement of the auction No. 109. Neizvestny, Grositsky, Shorin, Zverev, Nesterova, Roginsky and others. February 16–22, 2022

The title of this painting by Ernst Neizvestny refers to the Latin saying “Per aspera ad astra” by the Roman stoic philosopher Seneca. It translates as “through hardships to the stars”, a metaphor for the relentless pursuit of victory in spite of all difficulties. But in Neizvestny's painting, the title should be taken not metaphorically, but literally. It is a painting about space, about the conquest of the unknown, a hymn to human courage.

Announcement of the auction No. 107. Belenok, Zverev, Nemukhin, Roginsky, Shelkovsky, Sokov, Shablavin, Snegur, Fonvizin, Ostashov and others. February 2–8, 2022

The context is important here. Remember, what is 1979? In the “decaying West”, there is a computer revolution. There is an incredible seething of energies, a passionate explosion. In the U.S., there is a consumption boom. At the same time, in the USSR, the era of stagnation is in full swing. Propaganda on the background of growing scarcity. But at the same time, 1979 was a time of rapid scientific and technological progress and a paradoxical flowering of culture! Such a strange time of disappointments, successes and hopes. And all these fears, doubts and optimism became part of the large-scale work of Petr Belenok — the creator of the unique concept of “panic realism”.

Announcement of the auction No. 100. Zverev, Krasnopevtsev, Vulokh, Roginsky, Neizvestny, Sveshnikov, Plavinsky, Grositsky, Savko and others. December 1–7, 2021

Why did Nikolina Gora become such a place of power in Zverev's work? Oksana Aseeva had a dacha in this picturesque village near Moscow. She was a widow of the poet Nikolay Aseev, a friend of Mayakovsky. A woman of progressive views, she was the “muse of Russian futurism”. But today we often think of her as the muse of Anatoly Zverev. Zverev loved to visit Nikolina Gora, lived in pleasant company and worked with pleasure.