“Find me a classic Rabin with a vodka-herring”, is exactly the kind of request we have heard more than once from collectors of the “Lianozovo school”. It would seem, what is so difficult? After all, this is the most famous system of images in the works of Rabin. A still life with vodka and herring is the first thing that comes to mind when the artist's name is mentioned. There should be as many of them as Nemukhin's cards. But just approach the question practically — and oops — no way.

One of the most famous innovators of the post-war generation was expelled several times from various art institutes. Living in the Soviet Union, Oleg Tselkov regularly had to go to subterfuges to be considered an artist and not a slacker. But for some reason, Evtushenko, Akhmatova, Siqueiros and Guttuso came to this untrustworthy subject to see paintings in his room on Sokol. His father, who worked at a secret plant, was then dragged to the KGB to take responsibility for his son's dubious acquaintances.

Shulzhenko's paintings have a phenomenal effect in practice — they completely capture the attention of any viewer, even those who are not his fans. A visitor can enter a room where ten masterpieces are hanging, but in a minute the main argument will be about Shulzhenko's work. And so it is this time. In front of us is “Three Napoleons”. A picture-parable. Three ages of a man. Three stages of destiny of the tyrant.

Vasily Yakovlevich Sitnikov is a legend of unofficial art of the thaw era. His nickname Vasya the Lanternman is due to the fact that he worked on a projector for showing transparencies at the Surikov Institute. A virtuoso artist who was able to paint a picture with a broom or a floor brush was actually self-taught or a person of natural gifts (whoever you like). He painted beautifully and kept a whole “academy” of his students.